Description
Erected for the World Expo, the Christus Pavilion is a rational and innovative building but nevertheless manages to create a monumental and majestic atmosphere, particularly inside. Its regular bay module of 3.4 metres, and restricted palette of steel, glass, marble and concrete underline this intention. The ensemble consists of an arcade, a cloister, courtyard, tower and pavilion. One enters via a gangway that passes through the 58 metre long and 14 metre high arcade, over a pool and through the cloister before arriving in the courtyard. In the left-hand corner, a steel and glass tower with the cross section of a cross reaches 27 metres into the sky. On the right-hand side, one sees the entrance to the Christus Pavilion with its three tall, symmetrically placed portals.
In terms of construction, the pavilion is a simple “table top” on “table legs”. The interior measures approximately 18 by 18 by 24 metres in which nine black columns stand. Each of these is made of four steel angle profiles which project at the top to form a capital; a rooflight is positioned directly over each of these. The paved concrete floor area is divided clearly into two halves. The left-hand zone is empty, the right-hand zone contains the pews and liturgical objects, all made of oak. The altar stands on a podium in front of a glass cabinet containing a steel cross. Beneath the altar area is the crypt, a rounded freeform shape made of concrete.
Inside the pavilion, the lower sections of the walls are clad with black steel panels, providing a visual plinth. The upper sections are made of specially developed stone-glass panels. Each panel is 1.69 by 1.69 metres large and consists of a 10 millimetre thick marble panel bonded to a 12 millimetre thick glass panel with 1.5 millimetres of bonding resin. The panels are translucent and lend the walls of the pavilion an alabaster-like appearance. The stone-glass panels are supported externally in each corner by stainless steel fixtures attached to a lattice framework of vertical and horizontal steel members.
In contrast to the pavilion, the cloister appears lighter and more animated. With a width of 3.4 metres and a height of 6.8 metres, the cloister’s dimensions are defined by the bay module. Inserted into the framework of the cloister are dual-skin glass panels, each of which is filled with thousands of familiar objects, both natural and technical: one panel contains bamboo canes, the next plastic tubing, the next poppyseed heads, thereafter light bulbs, tea leaves, cogwheels, and so on. Despite their common geometry, the cloister and the pavilion alternate between the profane and the sacred.
In summer 2001, the Christus Pavilion was disassembled and re-erected in Volkenroda in Thuringia, Germany, though without the arcade, tower and crypt. The modular construction of the architecture was designed specifically with this eventuality in mind.
Adolphsen, Helge, Nohr, Andreas (Ed.): Sehnsucht nach heiligen Räumen. Eine Messe in der Messe. Berichte und Ergebnisse des 24. Evangelischen Kirchbautages 31. Oktober bis 3. November 2002 in Leipzig, Darmstadt 2003, pp. 54-, pp. 100- | Aión, no. 12/2006, pp. 92- | L’Arca, no. 146/2000, p. 77 | The Architectural Review, no. 9/2000, pp. 78- | Der Architekt, no. 1/2/2004, pp. 26- | Architektur und Wettbewerbe, no. 174/1998, pp. 64- | Arquitectura Viva, no. 72/2000, pp. 64- | Ballard Bell, Victoria, Rand, Patrick: Materials for Architectural Design, London 2006, pp. 164- | Chroniques d’Art Sacré, no. 64/2000, pp. 18- | Detail, no. 4/1999, pp. 601- | Deutsche Bauzeitschrift, no. 3/1999, p. 18 and no. 10/2001, p. 10 and no. 11/2001, pp. 86- | Deutsche Bauzeitung, no. 11/2001, pp. 112- | Expo 2000 Hannover GmbH (Ed.): Architektur Expo 2000 Hannover, Ostfildern 2000, pp. 54- | Feireiss, Kristin, Commerell, Hans Jürgen (Ed.): Architektur der Besinnung. Von Gerkan, Marg und Partner, exhibition catalogue, Berlin 1998, pp. 4-, pp. 12- | Gerkan, Meinhard von: von Gerkan, Marg und Partner. Architecture 1999-2000, Basel 2002, pp. 11-, pp. 58- | Meinhard von Gerkan. Geometrie der Stille, exhibition catalogue, Darmstadt 2002, pp. 17-, pp. 30-, pp. 52-, pp. 60- | Gerkan, Meinhard von, Marg, Volkwin (Ed.): Von Gerkan, Marg und Partner. Bauten, Munich 2007, p. 341, pp. 350- | Glasforum, no. 5/2000, pp. 11- | Heathcote, Edwin, Moffatt, Laura: Contemporary Church Architecture, Chichester 2007, pp. 228- | Käßmann, Margot, Ameling, Dieter (Ed.): Der Christus-Pavillon. Von der Expo 2000 zum Kloster Volkenroda. Nachhaltige Architektur in Stahl und Glas, Düsseldorf 2001 | Kunst und Kirche, no. 1/2000, pp. 30- | Ludwig, Matthias, Mawick, Reinhard (Ed.): Gottes neue Häuser. Kirchenbau des 21. Jahrhunderts in Deutschland, Frankfurt am Main 2007, pp. 12-, pp. 62- | Michel, Karl-Heinz: Christus-Pavillon Volkenroda, Kleine Kunstführer no. 2525, Regensburg 2004 | Orte Architekturnetzwerk Niederösterreich, Nitschke, Marcus (Ed.): Raum und Religion. Europäische Positionen im Sakralbau. Deutschland, Österreich, Polen, exhibition catalogue, Salzburg and Munich 2005, pp. 19-, pp. 78- | The Phaidon Atlas of Contemporary World Architecture, Comprehensive Edition, London 2004, p. 483 | Schittich, Christian (Ed.): Gebäudehüllen. Konzepte Schichten Material, Munich and Basel 2001, pp. 102-, p. 194 | Schwebel, Horst (Ed.): Über das Erhabene im Kirchenbau. Symposium, Münster 2004, pp. 102- | Stahl-Informations-Zentrum (Ed.): Stahl und Form. Christus-Pavillon. Von der Expo 2000 Hannover nach Volkenroda (Thüringen). Demontage und Wiederaufbau, Düsseldorf 2002 | Steintime, no. 2/2000, pp. 26- | Stock, Wolfgang Jean (Ed.): European Church Architecture 1950-2000, Munich 2002, pp. 302- | Stock, Wolfgang Jean: Architectural Guide Sacred Buildings in Europe since 1950, Munich 2004, pp. 94- | Süddeutsche Zeitung, 3. 5. 2000, supplement Expo 2000, p. V3/5 | Wöhler, Till: Neue Architektur. Sakralbauten, (n.p.) Berlin 2005, pp. 138-f
Drawings
Ground floor
Cross section
Longitudinal section
Axonometric view of the roof structure
Exploded axonometric view of the cloister
Detail view of the modular system
Photos

Front façade of the pavilion with external structural framework and translucent panels of stone-glass

Interior view of the pavilion with altar and pews in the background, coffered ceiling above
Originally published in: Rudolf Stegers, Sacred Buildings: A Design Manual, Birkhäuser, 2008.