Conjunto Residential Tower

Susanne Schmid

Description

The Conjunto Residential Tower, with 78 two- to four-room apartments of 38 to 91 m², was developed by Oscar Niemeyer as part of the 1957 International Building Exhibition Berlin (IBA 57), an exhibition located in the mostly destroyed Hansaviertel in central Berlin. The reconstruction of the district was intended to signify a new beginning for architecture and the urban landscape.[1] The development included concepts for modern shared family life, with entrance areas, kitchens, and bathrooms kept small and functional in favor of larger actual living spaces.[2] The eight-story Conjunto Residential Tower is supported by two rows of six double buttresses, called pilotis. This architectural air floor — and indeed the entire development — is a reference to Le Corbusier’s Unité d’Habitation. Only the fifth and eighth floors can be reached by elevator; all other upper floors are accessed via an internal staircase.[3] Niemeyer’s and Le Corbusier’s deliberations on this type of collective circulation area go back to the collective housing of the Russian avant-garde. Shared necessities like rues intérieures, arcades, and rooftop terraces were employed to combine and connect private apartments with collective spaces, much like the streets and squares of a city.[4]

However, too little attention was paid to the design of the community- promoting access areas of the Conjunto Residential Tower, with windowless and cramped staircases that seem rather unfriendly and triste. Oscar Niemeyer incorporated an open story into this same circulation area, similar to a distributor floor, to be used as collective space. This open story provided the name of the project: in Brazil, conjunto refers to an open floor, and translated literally it means a collection, connection, or combination. The west face of the fifth floor was therefore open, with apartments arranged along the east side. The open floor was well-situated and could be accessed by all residents and from three different stories.

Despite these structural inducements, community life never developed.[5] One reason was the lack of furniture, as the administration had the furnishings removed at the conclusion of the building exhibition. Thus, although a half-story was open for collective use, the function of this undefined space remained unclear; the residents never came to view the undefined empty space as an extension of their personal living space and therefore never appropriated it. At the turn of the millennium, the apartments in the Conjunto Residential Tower were converted into condominiums. According to statements by the Hansaviertel Resident Association, the half-story of open space still remains unused.[6]

Selected project data
This browser does not support PDFs.Site plan, 1:12000
This browser does not support PDFs.Location plan, 1:2000
This browser does not support PDFs.Typical floor and open floor, 1:500
This browser does not support PDFs.Cross section, 1:750
View of facade with open floor at the fifth level
Detached circulation core with access to the fifth and seventh floor
View of open floor at the fifth level
Stairwell to the apartments

Footnotes


1

One aim of the IBA 57 building exhibition in the Hansaviertel district was to show residents and the entire world the free and democratic future of West Berlin, making the exhibition itself highly political. The exhibition was a great success, with hundreds of thousands of visitors arriving locally, from East Germany, and from abroad. For more, see Bürgerverein Hansaviertel e.V. (2015): Hansaviertel Berlin, Architekturführer zur Interbau 57, p. 13; and Schulz, Schulz (2008): Das Hansaviertel, Ikone der Moderne, p. 22.


2

Bürgerverein Hansaviertel e.V. (2015): Hansaviertel Berlin, Architekturführer zur Interbau 57, p. 16.


3

Schulz, Schulz (2008): Das Hansaviertel, Ikone der Moderne, p. 76 f.


4

Muscheler (2007): Das Haus ohne Augenbrauen, Architekturgeschichte aus dem 20. Jahrhundert, p. 170.


5

Schulz, Schulz (2008): Das Hansaviertel, Ikone der Moderne, p. 77.


6

Carsten Bauer of the Hansaviertel Resident Association notes that the open floor also remains unused because inadequate acoustic dampening measures were undertaken during construction of the adjoining apartments. Furthermore, the building’s residents simply did not then, and do not now, have an interest in participating in a shared life.


Originally published in: Susanne Schmid, Dietmar Eberle, Margrit Hugentobler (eds.), A History of Collective Living. Forms of Shared Housing, Birkhäuser, 2019. Translation by Word Up!, LLC, edited for Building Types Online.

Building Type Housing

Morphological Type Slab/Super-Block

Urban Context Modernist Urban Fabric

Architect Oscar Niemeyer

Year 1957

Location Berlin

Country Germany

Geometric Organization Linear

Useable Floor Area 5,680 m²

Height High-Rise (8 levels and more)

Load-Bearing Structure Column-and-Slab

Access Type Gallery/Street in the Air, Vertical Core

Layout Corridor/Hallway, Zoning

Outdoor Space of Apartment Loggia

New Building, Refurbishment or Extension New Building

Client Private owners

Address Altonaer Straße 4-14

Map Link to Map